Photo Essays

Raven Spirit: A Native American Canoe's Journey

  • Master carver Douglas Chilton rides in the Raven Spirit canoe at its ceremonial launch.

    The Tlingit Raven Spirit Canoe and Carver, Douglas Chilton

    CREDIT: Don Hurlbert/Smithsonian Institution

  • Page 1

    The Master Carver

    Over the course of a year, Douglas Chilton skillfully chipped away at a cedar log with traditional tools used by his ancestors for generations. As he worked in downtown Juneau, Alaska, passers-by stopped to watch. People worldwide followed his progress on the Internet. Chilton - a master carver and member of the Tlingit Nation - gradually transformed the log into a 26-foot-long, traditional oceangoing canoe that would be named Raven Spirit.

    IMAGE: Carving the Canoe

    CREDIT: Mark Kelly, courtesy Sealaska Heritage Institute

    Douglas Chilton uses traditional carving tools to shape the Raven Spirit canoe.

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  • Page 2

    The Sacred Canoe

    Native peoples of the Northwest Coast believe each canoe has its own spirit. Designs on their canoes reflect this spiritual relationship with the natural world. Traditional canoes like the one Chilton carved were once used to paddle long distances and to harvest salmon that migrated hundreds of miles upstream to spawn. This reliable resource enabled Northwest peoples to settle down, build villages, and create great works of art.

    IMAGE: Celebrating Traditional Canoes

    CREDIT: David Neel

    Members of the Squamish Nation paddle to a 1997 festival celebrating Native canoe arts.

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  • Page 3

    Giving Thanks

    The Raven Spirit canoe's journey began on Prince Wales Island, where Chilton and Tlingit tribal elders selected an ancient red cedar. Its wood is oily, lightweight, and resistant to rot. Following Tlingit tradition, Chilton and the elders thanked the tree, explained how they would use it, and offered food to its spirit. Then they sprinkled a blanket with goose down to protect the tree when it fell. "Every ceremony they would have done 500 years ago, we did now," says Chilton.

    IMAGE: Cutting Down the Tree

    CREDIT: Todd Antioquia, courtesy Sealaska Corporation

    Jacqueline Peta of Sealaska’s board of directors participates in the tree-cutting ceremony.

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  • Page 4

    Raven’s “Blessing”

    As Chilton prepared the cedar for carving, he noticed a raven with an injured wing watching. Later, as he carved the canoe in Juneau, he again noticed a raven with an injured wing looking on. He believes it was the same bird. Chilton, a member of the Raven clan, considered the bird a blessing. He decided the canoe would feature a raven figurehead. To honor the bird’s vigilance, Chilton incorporated an injured wing into the raven figurehead.

    IMAGE: Raven Watches the Carver

    CREDIT: Sealaska Heritage Institute

    This raven routinely observed master carver Douglas Chilton as he shaped the canoe.

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  • Page 5

    The Launch

    June 19, 2008: The sun shone as Tlingit elder Clarence Jackson led the naming and blessing ceremony for the canoe. To the rhythm of a steady drumbeat, master carver Douglas Chilton and eight paddlers moved in a stately procession down the Potomac River, then returned to the landing. There the boat was named and presented to the Smithsonian Institution—bringing it a step closer to its permanent home.

    IMAGE: Canoe Placed in Potomac River

    CREDIT: Jim DiLoreto/Smithsonian Institution

    Tlingit paddlers set the canoe in Washington’s Potomac River for its ceremonial launch.

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  • Page 6

    Journey's End

    Suspended from the ceiling of the Sant Ocean Hall, the Raven Spirit is a reminder of how native peoples of the North Pacific honored and depended on the bounty of the sea. Just as the raven of folklore brought sunlight to the world, the Raven Spirit brought the spirit of the Pacific Northwest to the museum. Says Master Carver Douglas Chilton: “This project would be hard to beat.”

    IMAGE: The Canoe's Permanent Home

    CREDIT: Chip Clark/Smithsonian Institution

    The Raven Spirit is now prominently displayed in the Smithsonian’s Sant Ocean Hall.

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